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Lehar, Lorenz, and the Lubitsch Touch theowinthrop 7 September Ernst Lubitsch directed some of the sweetest and funniest sex comedies of the s and s. They are all charming, but the last one may be the best. Here he took the best known operetta of Franz Lehar and turned it into a superb musical comedy, with new lyrics to tunes like Maximes, the Merry Widow Waltz, and Girls, girls, girls, girls, girls by Lorenz Hart. At the same time he maintained his marvelous sense of fun - something that may be very much missing from Eric Von Stroheim's earlier, silent film version that became a study in Balkan politics. This land still exists, and with Serbia retains the now useless joint name of Yugoslavia - the Balkan state that once faced Italy and combined eight countries. Montenegro was a kingdom inand it's ruler had a Crown Prince named Danilo, who created major scandal by his doings in Paris. Lehar, a Viennese composer and so, one who usually made fun of the Slavic states took the story and the name of the Crown Prince, retaining the setting in the embassy in Paris. In Lehar's operetta, the homeland of Pontrevekkio note how it sounds like Montenegro is on the verge of bankruptcy, unless the richest widow in the country Sonia marries a citizen of the state. She is being pursued by eligible Frenchmen in Paris, so the Pontrevekkian embassy decides to have Count Danillo, a member of the staff there, romance and marry her.

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